green_dreams: (lilac 25th may)
[personal profile] green_dreams
(I am being a *complete* lit geek right now. I understand if you would like to skip, although I am looking for suggestions, down at the bottom.)

He's such a gentle writer. The unquiet dead rising from their graves, horror blooming across the dead red sands of Mars for fine revenge, marriage turned to hate and murder, madness, lies, betrayal, lost youth, death--

--and the prose is warm and patient, and will be there when you finish. He writes stories where there's a sense of each moment standing alone, waiting, leading to the next but not falling away before it. Most things I read I want to see what will happen. With Bradbury's stories I just want to see. It's something I hardly ever find outside poetry, and never as consistently as I do in his work.

I was working through Quicker Than The Eye--and smiling over Gray's Anatomy Bar and Grill, owned by Dorian, before I was even a page into *that* story--and getting that odd sorrow/delight combination over Melville and Poe and Wilde in "Last Rites", and rereading "Free Dirt", which holds the single sweetest promise of animate dead I have ever met.

(Around this point, practicality shoved its foot in the door, dictating a break for dinner.)

After dinner, sitting around watching candles, possibly due to that whole attempting-to-find-a-location thing we were doing earlier, I asked John "Would 'And Death Shall Have No Dominion' be a little odd to read at a wedding?"

And he told me that no, it would be *very* odd to read at a wedding.

I can see his point, although I really do think it's a very uplifting poem. (Mind you, I think my perspective has been skewing slightly on occasion when it comes to the wedding. Like when I was wondering how the funeral home a few blocks south would react to being asked if they would rent the space. I mean really, they're set up to handle large social groups, they understand the potential gravitas of social rituals, they're easily accessible, they're all on one floor--

--anyway.)

So I went and dug it up, so I could have more than just the lines
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.
running through my head, and sat down and reread the poem.

And it's reminding me very much of another poem, by Sara Teasdale, "There will come Soft Rain". Which, incidentally, was featured in the Ray Bradbury short story "There Will Come Soft Rains", which bears the same relation to most post-apocalyptic settings as "Free Dirt" does to most zombie movies.

So.

I'm hunting for other poems, or song lyrics, or short stories, with that same kind of sense--not Bradbury's, but the one from the poems. The idea that man is gone, and will die, and the end of things will come; and yet the world will continue, and death may be the end of it but is really fundamentally not that important. Like rain on bank holidays.

Suggestions?

(no subject)

Date: 2006-11-04 03:57 am (UTC)
From: [identity profile] orrin.livejournal.com
Well, I'm not actually certain that it's quite the same thing you're looking for, but the first thing I thought of was "Death is Not the End" by Bob Dylan:
http://www.bobdylan.com/songs/deathnot.html

Bear in mind that the version I am familiar with is not actually Dylan's version but a cover by Nick Cave (and a variety of others) that appears as the last track on Cave's CD "Murder Ballads" and so I might have taken certain odd connotations from that version and the way it is presented that are not necessarily there in the actual lyrics.

So, y'know, yeah.

(no subject)

Date: 2006-11-05 05:58 am (UTC)
From: [identity profile] torrain.livejournal.com
*tilts head inquiringly at lyrics*

...you know, I think that might work quite well. I'm terrible at hearing music in my head or remembering it when I've heard it, so I can't quite imagine what it would sound like, but it definitely reads as appropriate.

(Hrm. For some odd reason, it is also bringing to mind Bob Seger's "Fire Inside", which also fits with what I'm looking for.)

(no subject)

Date: 2006-11-04 05:07 am (UTC)
From: [identity profile] jasmine-koran.livejournal.com
See Frye's "Do not Stand at my Grave and Weep":

Do not stand at my grave and weep,
I am not there, I do not sleep.

I am a thousand winds that blow.
I am the diamond glint on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.

When you wake in the morning hush,
I am the swift, uplifting rush
Of quiet birds in circling flight.
I am the soft starlight at night.

Do not stand at my grave and weep.
I am not there, I do not sleep.
Do not stand at my grave and cry.
I am not there, I did not die!

Also, check out my recent post on Sting's song "All this Time" (http://jasmine-koran.livejournal.com/196558.html?mode=reply), which definitely fits this theme. I don't want to post the lyrics here because you won't really get them unless you know the story behind (and within) the song, so read the post first. There's a link to the video within it too.

(no subject)

Date: 2006-11-05 05:55 am (UTC)
From: [identity profile] torrain.livejournal.com
*tips hat* All three of your finds work very well (I'd completely forgotten that Frye poem, and never knew who it was by), and I have fallen very very hard for the Sting song. Thank you.

(You are *so* an English major. ;) )

I'm sorry about your dog.

(no subject)

Date: 2006-11-05 04:38 pm (UTC)
From: [identity profile] orrin.livejournal.com
The Frye poem is perfect, and one that I've always really liked.

Also, I was reminded of William Cullen Bryant's "Thanatopsis" (http://www.bartleby.com/102/16.html).

(no subject)

Date: 2006-11-06 02:24 am (UTC)
From: [identity profile] jasmine-koran.livejournal.com
I'm glad you love the song (I love sharing my favourites). You should try to find the album itself, which in its whole is an exploration of death and mourning.

Thank you for the good wishes.

(no subject)

Date: 2006-11-04 05:47 am (UTC)
From: [identity profile] jasmine-koran.livejournal.com
You've got me intrigued, so I'm researching now. There's a beautiful scene in "28 Days Later" that exemplifies this. Just two minutes long. The main characters who have just fled the ruined city of London, are having a picnic in a field. One of them calls the others over to a ridge, and they look out on four horses, two white mares and their black foals, running across the field. The girl asks nervously, "Are they infected?" and her father replies, smiling, "No. They're just fine."
Page generated Jul. 13th, 2025 02:44 am
Powered by Dreamwidth Studios